Eric's Piping Page
Contents
The tuning pitch for various pipebands
I've analyzed some commercial digital recordings and some of my own field recordings
to determine the pitch that various bands tune their pipes to.
- Track, Time - The location in the recording that was analyzed.
- Pitch - The ratio (in cents) of the pitch of the tenor drones relative
to Bb calibrated at A=440Hz.
- Temp, Weather - The high temperature for the day in degrees Farenheit.
- Technical details are listed below for those who are interested.
| Commercial Recordings |
| Pipeband |
Recording |
Track |
Time |
Pitch |
Temp |
Weather |
| Field Marshall Montgomery |
Live in Concert |
11 |
N/A |
+53 |
N/A |
concert hall |
| Victoria Police |
Masterblasters |
1 |
N/A |
+35 |
N/A |
studio |
| 78 Fraser Highlanders |
Flame of Wrath |
5 |
N/A |
+41 |
N/A |
concert hall |
| Stathclyde Police |
Last Great Concert of Century |
4 |
0:27.539 |
+44 |
N/A |
concert hall |
| Caledonian Club of San Francisco - Pleasanton 2000, Sat. (2 Sept.) |
| Pipeband |
Recording |
Track |
Time |
Pitch |
Temp |
Weather |
| Peel Regional Police |
Pleasanton 2000 - Sat |
1 |
1:19.508 |
+45 |
73 |
sunny |
| Royal Ulster Constabulary |
Pleasanton 2000 - Sat |
2 |
2:02.914 |
+45 |
73 |
sunny |
| Los Angeles Scots |
Pleasanton 2000 - Sat |
3 |
2:55.553 |
+41 |
73 |
sunny |
| Cabar Feidh |
Pleasanton 2000 - Sat |
4 |
0:28.007 |
+16 |
73 |
sunny |
| Prince Charles |
Pleasanton 2000 - Sat |
5 |
2:00.289 |
+40 |
73 |
sunny |
| R.P. Blandford & Son |
Pleasanton 2000 - Sat |
6 |
2:12.243 |
+40 |
73 |
sunny |
| Kansas City/St. Andrew's |
Pleasanton 2000 - Sat |
7 |
2:50.702 |
+36 |
73 |
sunny |
| Chicago Metropolitan |
Pleasanton 2000 - Sat |
8 |
3:24.375 |
+16 |
73 |
sunny |
| Cameron Highlanders |
Pleasanton 2000 - Sat |
9 |
3:04.880 |
+35 |
73 |
sunny |
| Mesa Caledonian |
Pleasanton 2000 - Sat |
10 |
2:42.478 |
+20 |
73 |
sunny |
| Utah |
Pleasanton 2000 - Sat |
11 |
3:29.237 |
+13 |
73 |
sunny |
| Caledonian Club of San Francisco - Best of the 90's |
| Pipeband |
Year |
Grade/Set |
Track |
Time |
Pitch |
Temp |
Weather |
| New Zealand Police |
1997 |
1/medley |
6 |
3:25.672 |
+39 |
86 (83?) |
cloudy? |
| Royal Ulster Constabulary |
1997 |
1/MSR |
7 |
2:40.405 |
+37 |
83 (86?) |
cloudy? |
| Strathclyde Police |
1998 |
1/medley |
8 |
3:32.235 |
+75 |
96 (91?) |
sunny |
| Los Angeles Scots |
1998 |
1/MSR |
9 |
2:07.367 |
+55 |
91 (96?) |
sunny |
| Alameda County Sherriff's |
1998 |
2/medley |
10 |
3:50.705 |
+77 |
91 (96?) |
sunny |
| Simon Fraser University |
1999 |
1/MSR |
11 |
0:51.058 |
+60 |
88 (98?) |
sunny |
| Prince Charles |
1999 |
2/medley |
12 |
N/A |
+57 |
88 (98?) |
sunny |
| Some Relationships Between Reference Pitchs |
| A (cents relative to A440) |
A (Hz) |
Bb (Hz) |
| 0 |
440.0 |
466.2 |
| +10 |
442.5 |
468.9 |
| +20 |
445.1 |
471.6 |
| +30 |
447.7 |
474.3 |
| +40 |
450.3 |
477.1 |
| +50 |
452.9 |
479.8 |
| +60 |
455.5 |
482.6 |
| +70 |
458.2 |
485.4 |
| +80 |
460.8 |
488.2 |
| +90 |
463.5 |
491.0 |
| +100 |
466.2 |
493.9 |
Some technical details:
- Track, Time - The location in the recording where the center of the analysis window
was positioned. I keep track of this in case I need to go back and reverify my
analysis. I typically look for long notes of 0.5 second duration, with no
drumming (especially bass or tenor drumming). These usually occur in the slow air
section of a medley or in the break between the march and strathspey in an MSR.
If I can't find a long enough note, then I look for a section with fingerwork just
in the upper hand. I typically use an FFT length of 8192
samples (0.18 seconds) for signals sampled at 44100 Hz. This gives me adequate
resolution for the frequencies present in the drones (along with some extra
averaging), without substantial energy from transient signals impacting the
measurement.
- Pitch - The ratio (in cents) of the pitch of the tenor drones relative
to the equal tempered Bb that is one octave below A=440Hz. Technically I estimate
the pitch by computing the frequency of the spectral component that is near 235Hz.
One cent is a frequency ratio of 2^(1/1200) which is approximately 1.00057779.
There are 100 cents in a semitone and 1200 cents in an octave.
I typically see +/-3 cents variation in the result, depending on the
exact position of the analysis window and which channel (L/R) I analyze.
Note: Setting the reference pitch of the
Korg CA20
to 449 causes the zero position on the meter to be 35 cents higher in frequency than
for the 440 setting.
- Temp, Weather - The high temperature for the day in degrees Farenheit
(as reported by the most local
weather
observation station). I include temperature and
climate info, because it has a noticable effect on the tuning pitch.
Eric M. Mrozek (mrozek@eecs.umich.edu), EECS-Systems, University of Michigan
Last Update: 29 Sept 2000